Particles for the Built World forms the basis of Omer Arbel’s artistic interrogation into the physical properties of concrete: a material that has long held uncompromising notions of solidity, permeance, and strength. The installation, partially performative and partially static, serves as an introspective exploration into the materiality of concrete while simultaneously mapping an insight into Arbel’s mode of working. Housed in Surrey Art Gallery, the objects and artefacts are remnants of Arbel’s challenging of the capacity for concrete to retain elements of its native state; liquid.