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Frida Escobedo selected to design 2018 Serpentine Pavilion


February 8, 2018
by Canadian Architect

Architect Frida Escobedo, celebrated for dynamic projects that reactivate urban space, has been commissioned to design the Serpentine Pavilion 2018. Harnessing a subtle interplay of light, water and geometry, the Mexican architect’, atmospheric courtyard-based design draws on both the domestic architecture of Mexico and British materials and history, specifically the Prime Meridian line at London’s Royal Observatory in Greenwich.

Frida Escobedo, Serpentine Pavilion

Serpentine Pavilion 2018. Designed by Frida Escobedo, Taller de Arquitectura.Design Rendering, © Frida Escobedo, Taller de Arquitectura. Rendering by Atmósfera

Born in Mexico City in 1979, Escobedo is the 18th and youngest architect to accept the Serpentine Gallery commission for a  temporary Pavilion on the gallery lawn in Kensington Gardens. This pioneering commission, which began in 2000 with Zaha Hadid, has presented the first UK buildings of some of the biggest names in international architecture. In recent years, it has grown into a hotly anticipated showcase for emerging talent, from Sou Fujimoto of Japan to selgascano of Spain and Bjarke Ingels of Denmark. Serpentine Galleries Artistic Director Hans Ulrich Obrist and CEO Yana Peel selected this year’s architect, with advisors David Adjaye and Richard Rogers.

Escobedo’s Pavilion will take the form of an enclosed courtyard, comprised of two rectangular volumes positioned at an angle. While the outer walls will be aligned with the Serpentine Gallery’s eastern façade, the axis of the internal courtyard will align directly to the north. Internal courtyards are a common feature of Mexican domestic architecture, while the Pavilion’s pivoted axis refers to the Prime Meridian, which was established in 1851 at Greenwich and became the global standard marker of time and geographical distance.

Frida Escobedo, Serpentine Pavilion

Serpentine Pavilion 2018. Designed by Frida Escobedo, Taller de Arquitectura.Design Rendering, © Frida Escobedo, Taller de Arquitectura. Rendering by Atmósfera

British-made materials will be used in the Pavilion’s construction, chosen for their dark colours and textured surfaces. A celosia – a traditional breeze wall also common to Mexican architecture – will be here composed of a lattice of cement roof tiles that diffuse the view out into the park, transforming it into a vibrant blur of greens and blues from within. Two reflecting elements will emphasize the movement of light and shadow inside the Pavilion over the course of the day. The curved underside of the canopy will be clad with mirrored panels, and a triangular pool cast into the Pavilion floor will trace its boundary directly beneath the edge of the roof, along the north axis of the Maridian. As the sun moves across the sky, reflected and refracted by these features, visitors may feel a heightened awareness of time spent in play, improvisation and contemplation over the summer months.

Frida Escobedo, Serpentine Pavilion

Frida Escobedo. Photo by Ana Hop.

Escobedo’s prize-winning work in urban reactivation ranges from housing and community centres to hotels and galleries. In 2006, she founded her practice in Mexico City, with significant national projects including the Librería del Fondo Octavio Paz and an extension of La Tallera Siqueiros gallery in Cuernavaca. Her designs have featured at the Venice Architecture Biennale (2012 and 2014), the Lisbon Architecture Triennale (2013), and in San Francisco, London and New York. Recent projects include Stanford University’s Graduate School of Business and social housing projects in Guerrero and Saltillo, Mexico. She lectures nationally and internationally, and has won multiple awards and accolades.

Serpentine Pavilion Architect’s Statement — The design for the Serpentine Pavilion 2018 is a meeting of material and historical inspirations inseparable from the city of London itself and an idea which has been central to our practice from the beginning: the expression of time in architecture through inventive use of everyday materials and simple forms. For the Serpentine Pavilion, we have added the materials of light and shadow, reflection and refraction, turning the building into a timepiece that charts the passage of the day.

More information is available via the Serpentine Gallery.



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